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Boston Pops, Fiedler - Fiedler In Rags Album

Boston Pops, Fiedler - Fiedler In Rags Album
Performer: Boston Pops, Fiedler
Genre: Pop / Classical
Title: Fiedler In Rags
MP3 album size: 1671 mb
FLAC album size: 2976 mb
Style: Ragtime, Easy Listening
Country: US
Released: 1974
Catalog number: PD 6033, 2391 144
Label: Polydor

Tracklist


1Charleston Rag3:44
212th Street Rag3:29
3The Entertainer3:24
4Variations On Varsity Drag (With Apologies To George Gershwin & Especially Spike Jones)3:29
5The Easy Winners3:28
6Tiger Rag2:57
7Maple Leaf Rag3:18
8Sugar Cane Rag3:34
9Alexander's Ragtime Band3:10
10Darktown Strutter's Ball (With Interpolation Of Jelly Roll Blues)3:24

Versions


CategoryArtistTitle (Format)LabelCategoryCountryYear
2538 372Arthur Fiedler And The Boston Pops Arthur Fiedler And The Boston Pops - Festival Of Hits (Rags) ‎(LP)Deutsche Grammophon2538 372CanadaUnknown
8F-6033Boston Pops, Fiedler Boston Pops, Fiedler - Fiedler In Rags ‎(8-Trk, Album)Polydor8F-6033US1974
CF6033Boston Pops, Fiedler Boston Pops, Fiedler - Fiedler In Rags ‎(Cass, Album)PolydorCF6033USUnknown
PD 6033, (2391 144)Boston Pops, Fiedler Boston Pops, Fiedler - Fiedler In Rags ‎(LP, Album)Polydor, PolydorPD 6033, (2391 144)US1974

Credits


  • FeaturingNewton Wayland (tracks: B5)

Video

Shaktit
In the late '60s to mid-'70s, there was a Roaring '20s fetishism happening in mainstream American pop culture. I call it "Seventies Twenties"—a romanticized version of the century's third decade; dreams of a simpler time, through the lens of (mostly white) Baby Boomers dismayed by the social upheaval, presidential politics, and terrifying violence going on around them.

Aside from nostalgic new productions of '20s musicals and some tributes in fashion, the revival manifested mainly in the form of homages to hand-cranked silent films and ragtime music, from Scott Joplin's bar-room piano standards to the placid early jazz of small orchestras enjoyed by socialites on sinking luxury liners. This record came toward the end of that wave, as the early-'70s to mid-'80s fascination with the culture of the 1950s (again, romanticized) was becoming more popular.

Fiedler in Rags is a prime example of peak Seventies Twenties. The hair and makeup and drab color photo could only be from the '70s, no matter how evocative of the '20s it's trying to be. Likewise, the pompous, echo-y arrangements of ragtime classics which were intended to be played on solo piano or by small ensembles rather than a full orchestra, represents the "too much is never enough" indulgences of the post-Vietnam culture rather than reliving the post-World War I euphoria.

That said, there's not a dull moment on the record. Arthur Fiedler had already long been a leader in introducing the sound and feel of the classical orchestra to younger generations through orchestral performances of contemporary non-classical music. Here, he joins in the Seventies Twenties zeitgeist with as much stately fervor as he can muster, always in a way that suggests he could segue right into a Sousa march or Tchaikovsky overture at any moment, without missing a beat. The results are not particularly pretty, but then, neither was the ragtime and early jazz, compared to what came before it.

This recycling and repurposing of music through a deliberate, sometimes baffling combination of old and new, is exactly what continues to be taken to ever-further extremes by each successive generation. There's such irony (or is it hypocrisy?) when Boomers—people who loved Fiedler in Rags, or blues rock, or reggae-soaked '80s pop—utter nonsense about the death of creativity as ideas are recycled and pop culture references itself within ever-shorter timeframes. They were doing it too! This record is but one example.
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